You might have seen us talking about this video on SHIROCK TV, or read about it on Facebook or Twitter…here’s a few photos from behind the scenes.

You’ll have to wait a little longer for the video though, looks like it will debut at the beginning of May…

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These are a few videos taken by our friend Judith in Los Angeles. We played an acoustic set for the staff and a group of men at The Midnight Mission on skid row. We didn’t really know what to expect from the show…but it ended up being one of the most moving performances for us. I didn’t even realize going into it, how much these guys who have spent a large percentage of their lives homeless and wrestling with addictions, would relate to the themes and ideas in these songs. So much of our music is searching and asking questions…trying to figure out where we fit and how to make sense of it all. I remember before we sang “Time Goes By,” I said something about it being about ‘not feeling at home where you’re at…’ all of sudden it hit me – where these guys were and where I am is not so different. Peel away the superficial, and we’re still wrestling with the same things…just different forms. We were all trying to belong, trying to find hope, trying to find ways to pull it together. Persevering and trying to build something – whether it’s building a band, business, a family, or just trying to get on our feet, it’s the same underlying fears and desires.

Playing this music for the men going through the Midnight Mission program breathed new life into this music, and inspired us in so many ways. Here’s a few clips from the set…thanks Judith

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TIME GOES BY:

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STILL YOUNG:

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SILVER:

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DRAG YOU DOWN:

SHIROCK – “Still Young” from the debut album Everything Burns
Written by: Chuck Shirock & Pap Shirock

“Still Young” is a song about trying to find hope when all we felt was doubt and uncertainty…it’s about feeling overwhelmed by the pressures of big ideas and passing time. The song really has nothing to do with age, it’s realizing that as long as we are alive there is still time.

When I (Chuck) started the song (which is how many songs happen—one of us comes up with an initial idea, then we flesh it all out and define it together later), the first lyrics I wrote were the chorus lyrics. A lot of the times we tend to write songs switching perspectives throughout the lyrics. The chorus in this song was written as if I was speaking to Pap, and pretty much captures the central theme of the whole song. She was one of the first people to believe in me, and there is a strong sense of urgency that comes from the weight of trying not to let down the people you care about.

The first verse was also written as if I was talking with Pap. I don’t remember exactly, but I think I wrote those first words very literally, about us fighting. When you’re in a relationship with someone, and also working together on something that you’re both very passionate about, there is bound to be a lot of clashing. The question is not “if” that will happen…it’s how you will react when it happens (and if you will be able to continually start over).

The second half of that verse is written as if I was retelling Pap what I’ve set out to do – to build something that I (with all of my faults, insecurities, and questions) can’t tear down…to build something that will last. The last line was directed at those people who tell you to ‘give up’ on those big ideas you had when you were young. I have always felt like I’ve been left on the outside…this is a song for those of us who feel like “all we need is a chance.”

The second verse starts out like I was talking to myself in the mirror. I try to hold it all together, but—if you really look and if I’m being honest—I’m a broken man. I remember lying in the hammock in our backyard the summer we were working on this song…I was lying there thinking and praying, hoping for some clarity and answers. Not sure what the future held, I was wondering what I was doing and if I would ever achieve my goals. It was an odd mix of being so uncertain but still searching for hope. It started pouring down rain, but I felt so heavy hearted that I just laid there thinking and praying…wondering if “heaven would answer.” Wondering if God could hear me. The last few lines are again talking to Pap. “I don’t want to stand where you can’t stand,” admitting I can’t do this without her. The verse ends with one of my favorite lines of anything I’ve written…probably just because it is so honest and vulnerable. “I’m just a man without your heart, who’s still trying to understand.” Again, I try to pull it all together and act like I’ve got it figured out and it’s all under control. But the truth? Without you, I’m just a man, who at the end of the day is still trying to make sense of it all.

The bridge is admitting that I can’t do it alone. Pap’s singing “There’s only one way out,” and I’m saying I need another chance to make this right.

It ends like the day in the hammock ended…learning to be hopeful in the midst of uncertainty. Which I think we’ve realized is the way most of life is.

This is a short video of Pap & I (Chuck) from when we were in Las Vegas for Irock Clothing…it’s just a lot of footage from the desert and around town that we took, then put to “Still Young.”  (Some of the footage though is not ours.  Sorry if it’s yours.)

All of the ideas for the music came to me so fast that I started recording the demos for “Still Young” before the final lyrics and melodies were written…which is an odd way for me to go about writing.  We’d set up all of the gear at Studio 7 (our photographer’s photos studio) and I’d go over there to start recording after all of the photo shoots and designers had left the building.  Most nights I’d end up staying there until 3, 4 or 5 (sometimes even later) in the morning.  I’d get going and wouldn’t stop.  That’s how the demos for this song came about.  I had a lot of ideas, and I just went in and started going.  

The first demo I did I called the “minor” version.  Mostly because the Chorus it never resolved to the major chords…the words I sang in the chorus on the minor version ended up being sung by Pap in the bridge.  (Also you’ll probably notice these first 2 demos are in different keys than the final.)  Anyway, in the 2nd version Pap & I worked more on the chorus, and resolved it to a major “feel” in that section.  All of the guitar, piano, & bass melodies were there from the beginning though.  We ended up changing & defining the piano parts a little more as we kept working on it.  Anyway, the 3rd version of the demo is basically exactly how the final version (the one you most likely know) ended up.

“Still Young” – Minor – Demo 1

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“Still Young” – Major – Demo 2

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“Still Young” – Final – Demo 3